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THE DAVENPORTS

A dazzling debut.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2023


  • New York Times Bestseller

In 1910 Chicago, four young Black women navigate the expectations they are saddled with.

As one of the city’s most highly respected families, the Davenports must uphold the legacy their formerly enslaved father built. Eldest daughter Olivia feels pressured to find the perfect matrimonial match, especially as her younger sister, Helen, can’t be bothered with anything other than helping their entrepreneurial brother, John, fix horseless carriages. Enter Jacob Lawrence, the season’s most eligible Black British bachelor. Despite Olivia and Jacob’s seemingly successful courtship, both are distracted: Jacob by Helen’s desire to be more than society allows and Olivia by her newfound passion for civil rights and a handsome Alabama lawyer speaking out against Jim Crow. The sisters aren’t the only residents of Freeport Manor with lofty ambitions, however. Maid Amy-Rose, who arrived as a child and grew up as the sisters’ friend (her late mother was the family maid before her), dreams of owning a hair salon, but her attraction to John may prove distracting. Ruby, Olivia’s best friend, pined after John for years, but his attention has waned since his return from university. Attempting to lure him back, Ruby entertains another gentleman, but the unexpected feelings that arise leave her torn between familial obligation and personal happiness. This deftly written series opener examines the lives of Black elites following Reconstruction with a focus on the constraints of women. The strong characterization, developed through alternating third-person perspectives, and descriptive setting lure readers in.

A dazzling debut. (Historical romance. 12-18)

Pub Date: Jan. 31, 2023

ISBN: 978-0-593-46333-8

Page Count: 384

Publisher: Dial Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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